Last Saturday night, with just under a week of November left, I decided to quit NaNoWriMo this year. This means that I won’t be finishing up And the Devil Will Drag You Under, and that for the first time in sixteen years of participating, I won’t “win” NaNoWriMo (meaning, I won’t reach that 50,000 word goal).

This wasn’t a decision I made lightly. I did it after much soul searching and pondering. After all, after participating for sixteen years, it feels like a matter of honor to cross the finish line and reach that word count goal. I’d like to see that little purple bar in my profile on the NaNoWriMo website, but it’s not going to happen this year. And as a Municipal Liaison, it sort of behooves me to do my best to participate for the entire month, and quitting it feels like a dereliction of duty.

So why would I do such a thing?

Mainly, I just wasn’t into the novel. While I think that And the Devil Will Drag You Under has some interesting elements to it, on the whole I wasn’t enjoying it. Working on it had become a chore, and no fun at all; and by Saturday, when the word count goal was supposedly 41,675, I had only reached 13,962. And every moment that I was working on Devil, I was actually fantasizing about other works in progress that I want to work on. Padma, for example. And the five short stories that I’m working on to get ready to market. But no, I couldn’t work on those while NaNoWriMo was going on, which meant that I was beginning to resent Devil, and NaNoWriMo itself. I didn’t want to go into that psychic space. I’m not burned out on NaNoWriMo, but I could feel myself getting there. I wanted to make sure I didn’t get all the way there.

So over the past sixteen years, I’ve written fourteen novels for NaNoWriMo (years 2012 and 2013 were two parts of the same novel). In my opinion, that’s nothing to sneeze at or scoff. Some of them are good and deserve further work and development. Some of them are bad and don’t. Padma (2016) is a good one. #M For Murder (2015) probably isn’t. Fred Again (2005) has a lot of potential, but also needs a lot of work. And while Code Monkey (2009) was a lot of fun to write, its issues are daunting.

So the plan now is to choose two novels out of those fourteen, and develop them to a point where I feel really good about them. I want two novels that I can pitch to editors and agents at WorldCon next August.

I’m not sure what all this means for NaNoWriMo 2018, honestly. Will I participate again? Am I burned out on the whole thing after all? It’s certainly possible (likely, in fact) that when November 2018 rolls around I’ll have another idea that I want to develop, and I’ll sign up again. But it’s also possible that I won’t. Details are unclear.

But whether or not I choose to go forward with NaNoWriMo in the future, a few things are clear: First, I have a few novels with potential that I can develop further. Second, I’ve learned a lot about writing and the writing process (especially my own). And third, I’ve made a lot of great friends, even if I only see some of them in November.

So yeah. Quitting NaNoWriMo was a good idea this year. It’s good for my writing. It’s good for my soul.

And to all those who are continuing forward: Good luck!

Twenty people voted on what I should write for National Novel Writing Month this year, more than I expected. More than half of you voted for And the Devil Will Drag You Under¹, a novel about devils at war with each other in a modern city. Amusingly, this is actually the novel I was planning on writing last year during NaNoWriMo until my friend  Andrea Stewart talked me into writing Padma, a novel I’d been planning on writing for years. I have no regrets there.

If you want to have chapters of And the Devil Will Drag You Underr emailed to you, go click on my contact page and fill out the contact form there. I’ll know what to do.

Speaking of Padma, I’m still revising that one. I had hoped to have the second draft ready for my critique group in October, but I don’t think that’s going to happen. I’ve been taking an online class in writing inclusive fiction (by Nisi Shawl and K. Tempest Bradford of Writing the Other), and learning that there is a lot of work to do in order to properly flesh out my main character, who is a woman of half-Indian descent. That’s not to say that I’m not going to finish it, just that I have more work to do than I had originally anticipated. I’ve been working on it daily for about a month now.

My kaiju short story “Anamet” is progressing slowly. Again, I need to do some research in order to do the main character justice. This is another story I’d intended to have completed earlier; by mid-August, in fact. I tend to be very optimistic when estimating how long it’s going to write a story.

Other writing-related news: My short story “The B.I.M.” is with my critique group right now; and “A Pine Romance” is with a beta reader. We’ll see how they both go over.

How’s your day going?

Earlier I was firmly committed to my kaiju novel for NaNoWriMo this year. But now I’m wavering. I have three ideas, all of them equally attractive. So I’m throwing the question out to you, faithful readers:

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Of course, I won’t be posting my novel online this year for Reasons, but you’ll be able to request that chapters be mailed to you as I write them. I’ll work on a mechanism for that.